Every Year Since 1974, This Artist Has Photographed Herself In Nothing But Her 'Birthday Suit' (NSFW)
Photographer
Lucy Hilmer
has spent the last 40 years bringing new, poetic meaning to the phrase
"Birthday Suit." Since 1974, the San Francisco-based artist has snapped a
self-portrait of herself wearing nothing but a pair of shoes, socks and
her signature white "Lolly Pop" drawers.
In the series,
she's pictured topless, assuming positions as ambiguous as staring into
the sprawling ocean or pointedly powerful as gazing into the camera
with a child feeding from her breasts. In total, she's created a visual
history of her own life filled with equal parts vulnerability and pride,
mystery and revelation.
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All images © Lucy Hilmer
"Birthday
Suits" began as a singular self-portrait, with no intention of becoming
a life-long series. "I had just started studying photography in San
Francisco, and went to Zabriskie Point in Death Valley, CA on a lark,
and as a kind of homage to [Michelangelo] Antonioni and his
film about the counter culture,"
Hilmer explained to HuffPost. "I set out to make a picture of myself in
my 'birthday suit' because in those days the saying was you couldn’t
trust anyone over 30. In 1974, when I turned 29, I figured I’d
immortalize myself on the last good year I had left."
Hilmer took
several photographs that day, but the one that stood out was an image in
her underpants. "I recognized that person more than the skin-deep girl
posing in the other frames of film," she recalled. "That girl in her
underpants was vulnerable, open, awkward -- she was me."
All images © Lucy Hilmer
So
every birthday after that, she reenacted the pose. She was, in her own
words, obsessed with time and the notion that we're all "slip-sliding
away, becoming different versions of ourselves before we know it." In
the process, she found herself shedding the identity of a "girl child"
of the 1950s, winding her own way into the narrative of a blossoming
feminist movement.
"I came of age before women’s lib, and wanted to buck the stereotypes of a culture that branded me a pretty girl, thin enough
to be a fashion model and not much more," she proclaimed. "Armed with my
camera and tripod, I found a way to define myself on my own terms in
the most authentic way I could."
All images © Lucy Hilmer
More
than just documenting the passage of time, Hilmer records a symbolic
language understood not only by herself and her loved ones, many of whom
are visible in the portraits, but by the viewer as well. Crouching in a
nest of dead tree limbs or standing firmly on the side of a highway,
the intricacies of the scenes may make little sense to the onlooker, but
the message of one confident woman can hardly be missed. Feeling naked
and exposed is an essentially human feeling, as is the desire to be seen
and heard.
"What I’ve learned [from this series] goes far deeper
than what can be expressed in a photograph. But the photograph has been a
marker for me, an indication of a deeper truth. What I’ve learned is
that I’m really no different from anyone else, and the truths we share
are so often hidden. What I think I’ve done in these self-portraits is
to strip off a layer or two to reveal some of those truths that are
universal."
All images © Lucy Hilmer
Though
Hilmer has been producing photography since the 1970s, she's spent the
last 10 years focusing on presenting her work to the public. After
receiving recognition from the folks at FotoFest Houston in 2012, she
was named
a 2014 Emerging Talent winner on Lens Culture
. At 69-years-old, the award has already had a profound impact on her
career, catapulting her images to platforms across the Internet.
"It's
mind boggling to one who's essentially a hermit at heart. I've been
getting wonderful emails full of love and gratitude from people all over
the world." Her next step? If all goes well, a book. "At the moment my
biggest goal is to find a quality publisher."
All images © Lucy Hilmer
Scroll through a preview of Hilmer's works below and let us know your thoughts on the series in the comments.
All images © Lucy Hilmer
All images © Lucy Hilmer

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